Passing the Crown Foundation
Passing the Crown Foundation, Inc.  |  Community Programming

Celebrating the Queens of Hip-Hop

A proposal for partnership and engagement

Passing the Crown was born from my desire to honor the women who built and continue to shape hip-hop while reimagining their stories through orchestration, dance, fashion, and DJ culture. For me, Passing the Crown is more than a show, it's an ongoing conversation about legacy and empowerment. Every performance is an opportunity to honor the women who came before us, celebrate the artists shaping culture today, and inspire the next generation of women to step boldly into their creative power.”

“Juliette Jones  ·  Artist Note, Lincoln Center / David Geffen Hall, October 2025”

8,500+
Audience reached
3
Major productions
100+
Artists employed
2024
Lincoln Center premiere
EIN 39-4260845  |  501(c)(3) Nonprofit
[email protected]
Our Mission
Passing the Crown Foundation, Inc. amplifies the power, legacy, and leadership of intergenerational women and gender-expansive artists through community-centered performance, education, and programming. Rooted in the brilliance of women in hip-hop and elevated through multidisciplinary artistry, we integrate music, dance, and cultural storytelling to create world-class experiences that demonstrate the depth, excellence, and abundance of women leaders across artistic and production roles, while cultivating sustainable pathways for how women not only participate in the arts, but lead, build, and thrive within them.
Passing the Crown Foundation, Inc.  ·  Brooklyn, NY  ·  Est. 2025
Show Formats

Two distinct experiences.
One mission.

Passing the Crown offers two complementary performance formats, a cinematic main stage production and an intimate listening experience, designed to meet artists, audiences, and venues across every scale and context.

Format 01  |  Main Stage

Passing the Crown:
Celebrating the Queens of Hip-Hop

Cinematic  ·  Large-Scale  ·  National Touring

The flagship production. An immersive live experience blending cinematic orchestration, B-girl and street dance, DJ culture, and the voices of women who built Hip-Hop. Led by an all-female and gender-expansive ensemble, the show honors icons from Queen Latifah to Lauryn Hill to Rapsody, while integrating local artists in every city.

Core Ensemble
Touring DJ  ·  Full Rhythm Section (Keys, Guitar, Bass, Drums, Harp optional)  ·  Touring Strings  ·  4–8 Dancers  ·  Local MC + String/Horn Augmentation  ·  Stage Manager  ·  Tour Manager
Gold  ·  Flagship
90 min
  • DJ + Full Rhythm Section
  • Augmented Strings (+6 local)
  • Horns (+3 local)
  • 8 Dancers
  • Headlining guest artist
  • Local feature artist
Silver  ·  Mid-Scale
75 min
  • DJ + Full Rhythm Section
  • Partial strings (+2 local)
  • +1 local horn
  • 6 Dancers
  • Local feature artist
Bronze  ·  Activation
60 min
  • DJ + Full Rhythm Section
  • Core Strings
  • 3-5 Dancers
  • Compact format
Format 02  |  Intimate Series

Passing the Crown:
Stories Behind the Bars

Listening-Forward  ·  Intimate  ·  Academic + Community Contexts

Inspired by MTV Unplugged and VH1 Storytellers, Stories Behind the Bars centers the MC as cultural author, combining live orchestral performance with narrative reflection and projected archival visuals. Where the main stage is cinematic, this format is built for depth: seated, intimate, and designed for listening-forward environments including universities, cultural institutions, and community spaces.

Artistic Concept
Lyrics treated as primary texts. Bars as lived record. Live performance woven with narrative reflection, Q&A, and projected archival visuals tracing the lineage of women's voices in Hip-Hop.
Ensemble
DJ + Full Rhythm Section
Core Strings
3-5 Dancers
Compact format
Ideal Contexts
University residencies & coursework integration  ·  Cultural institutions  ·  Community listening rooms  ·  PAC intimate venues  ·  Documentary recording
Development Partners
Residencies: Complete Music Studios (Brooklyn, NY) and The Recording Club (Los Angeles)
Tentative residencies with a live recording session at The Recording Club

Princeton University, academic workshop, Fall 2026
The Wallis Annenberg Center, Los Angeles Premiere, Spring 2027
McCarter Theatre, Spring 2027
Tentative Development Timeline
Aug 2026
Pre-Production
Finalize artistic concept, confirm collaborators, advance Recording Club residency
Oct – Nov 2026
Arrangement + Rehearsal
Full arrangement of Rhythm Section, Strings, Horns, Harp; core ensemble rehearsals begin
Fall 2026
Princeton University Residency
Academic workshop in partnership with Prof. Chesney Snow's course "Miss-Education: The Women of Hip-Hop"
Jan 2027
Live Recording, The Recording Club, Los Angeles
Tentative live recording sessions at The Recording Club, Los Angeles and Complete Music Studios, Brooklyn, NY
Feb 2027
World Premiere, The Wallis, Beverly Hills
The Wallis (Beverly Hills) and McCarter Theatre (Princeton, NJ), both tentative
Mar 2027
Release + Tour Launch
Tentative short film release timed to Women's History Month; Spring tour launch
Community Programming

The show is only the beginning.

Every Passing the Crown production is preceded by 1–3 days of community engagement. These residencies create direct employment for local artists, deepen audience connection, and extend the show's impact well beyond opening night.

Impact

Built from the ground up.

Since the 2024 world premiere at Lincoln Center, Passing the Crown has grown rapidly, each production expanding our reach, our roster, and our proof of concept.

Performance & Employment
3
World-class productions
since 2024
60+
Women & gender-expansive
artists employed
8,500+
Audience members across all
performances & activations
Community & Digital Reach
20
Young women & girls reached
Feb 2026 NYC workshop
271.5K
Views across
show promotion videos
3.1M+
Total reach across
shared platforms
July 2024  ·  World Premiere
Lincoln Center
Summer for the City
Damrosch Park, New York City
Commissioned by Lincoln Center
1,500
in attendance
August 2025
Levitt Pavilion
Denver
Headliner: Rapsody, GRAMMY Award-winner
Local features: DJ Cyn, She Who Won't Be Named, Osha Renee
5,000
in attendance
October 2025
Lincoln Center
David Geffen Hall
Headliner: MC Lyte, Hip-Hop Icon
Special appearances: Rapsody, DJ Perly (2x DMC Champion)
2,000
in attendance
Core Creative Team

Women leading every role.

Passing the Crown is built from the ground up by women, as producers, orchestrators, choreographers, and cultural architects. This is not incidental to the work. It is the work.

Juliette Jones
Founding CEO & President of the Board  ·  Executive Producer & Creator
Violinist, composer, arranger, and cultural entrepreneur, Juliette Jones built PTCF from a commission at Lincoln Center into a nationally touring organization. With a career spanning GRAMMY, Oscar, and Emmy-recognized projects, she has performed and recorded with Beyoncé, Rihanna, Lady Gaga, Cynthia Erivo, Jon Batiste, Stevie Wonder, Janelle Monàe, and Solange, and contracted for Lincoln Center, the Kennedy Center, Carnegie Hall, and the Hollywood Bowl. A first-generation arts entrepreneur, she has received commissions and grants from Lincoln Center, the Kennedy Center, the Black Genius Foundation, and the LA Department of Cultural Affairs. Most recently, she performed as a violinist in the 98th Annual Academy Awards orchestra and is a newly elected member of the Recording Academy. Juliette leads all organizational strategy, fundraising, and creative visioning for PTCF.
Randi "Rascal" Freitas
VP & Secretary of the Board  ·  Creative Director & Choreographer
Emmy Award-winning choreographer and B-girl, Randi Freitas is PTCF's Program and Community Engagement Director. She toured the nation as Associate Director/Choreographer of the Emmy Award-winning The Hip Hop Nutcracker, has performed with Justin Timberlake, SZA, Travis Scott, Karol G, and Kaytranada, and appeared on Jimmy Kimmel Live!, The GRAMMYs, and The American Music Awards. She has taught Hip-Hop at USC and CalArts, is a 2021 RedBull BC One Boston Winner and US National Finalist, Founder and Director of OMEGA Flow Floorwork, and a Nike branding consultant. In February 2026, she led PTCF's first NYC Workshop Series in partnership with Ladies of Hip Hop, subsidizing access for 20 young women and girls. Most recently, she served as Movement Director and Associate Choreographer on Gap's "Sweats Like This" campaign featuring Young Miko.
Monique Brooks Roberts
Treasurer of the Board  ·  Associate Producer & Co-Orchestrator
Violinist, composer, arranger, and arts leader, Monique Brooks Roberts has performed and recorded with Christina Aguilera, Lizzo, Alicia Keys, Common, Jill Scott, Diana Ross, Aretha Franklin, and J. Cole, and has appeared on the GRAMMY Awards, NPR's Tiny Desk, The Late Show with Stephen Colbert, and the MTV Video Music Awards. She has performed at Carnegie Hall, the Kennedy Center, Radio City Music Hall, the Hollywood Bowl, and the Mariinsky Theatre in St. Petersburg. A touring member of the Philadelphia String Quartet for seven years, she released her debut album Free in 2020, which charted at #12 on the iTunes Soul charts. She ensures PTCF's financial integrity and production excellence as Treasurer, and serves as a critical bridge between the organization's artistic and operational infrastructure. Most recently, she became Colorado Public Radio's new Classical host.
Let's Connect

Ready to bring
Passing the Crown
to your stage?

We welcome conversations with presenters, funders, academic partners, and community organizations at every stage of planning. Our team is currently building the 2027 national and international tour.

Address Brooklyn, NY
Legal Passing the Crown Foundation, Inc.
501(c)(3) Nonprofit  ·  EIN 39-4260845
Tour Status Active conversations: The Wallis (Beverly Hills), McCarter Theatre (Princeton), Norway/Sweden, IBT